GALERIE IMAGINAIRE presents my work in an “open exhibition space.”
The use of digital technologies allows the paintings to be placed in a more unconventional and dynamic exhibition context, thus offering an alternative interpretation of my artistic work.
The name “Galerie imaginaire” is borrowed from and uses the title of André Malraux’s book “Le Musée Imaginaire” (The Imaginary Museum), published in 1957.
The paintings are organized into thematic groups: GRAVITA series addresses both human and natural violence: forms shatter, bodies fall or lie covered in debris. SHIFTING refers to the wars of the recent past and evokes the geographical maps and strategic plans of a military command. SEDIMENTI utilizes collage techniques, its individual elements coalescing like sediments from bygone eras into new compositions and themes. In MURATURA, the crumbling wall becomes a metaphor for the loss of individual and social experience and memory.
Firenze, 2024
